An image of the Dalai Lama gives diasporic texture to an otherwise anonymous suburban American house; the camera tracks to ...

When I first discovered the works of Jean Rouch, Robert Gardner, and Timothy Asch—academic anthropologists who opted to make ...

High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...

Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of that giant cockroach creature feature was the filmmaker crossing paths ...

Remembering her filmmaker father Charles B. Pierce, Dallas designer Amanda Squitiero first mentions the place he called home. “Arkansas claims him and he claimed Arkansas,” she says, having recently ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th Maryland Film Festival solidified its direction. Bouncing back from the low ...

Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of ...

Publication with a focus on independent film, offering articles, links, and resources.

“For the pattern of unfulfilled desires has trapped the Antilles and America. From the time of the arrival of the conquistadors and the rise of their technical know-how (beginning with firearms), the ...

What used to be known, literally, as “the cutting room floor,” now exists as a digital bin, an assortment of deleted scenes, unused (and in today’s mode of industrial documentary production, perhaps ...