Byron Will smoothes a corner in a harpsichord he's building. A warmer in foreground contains animal skin glue that holds some pieces of the instrument together. (Janet Goetze) has been making ...
The acclaimed Iranian-American musician is rekindling enthusiasm for an often derided instrument – and he’s not done yet Mahan Esfahani was nine when he first heard a harpsichord. He and his parents ...
Working in his studio, Kevin Fryer listens to CDs of lute and harpsichord music, letting his thoughts sail away to the Dutch masters and places like Antwerp in the 17th century. In a second-story ...
"The harpsichord is an easy target, isn't it?" Those are the fighting words of Mahan Esfahani, a good-humored harpsichordist who is a proud defender of his instrument. Esfahani sat down to talk with ...
The sounds of the 18 th century filled the Wren Chapel last week as a group of graduate students from Temple University’s Boyer College of Music and Dance joined with William & Mary students for a ...
On my dining table there are a few random scraps of homework for a lesson that never happened. The scraps include sheets of music paper on which I wrote out the first scene of the first act of ...
In 1966 I began a decade-plus stint working for the Aspen Music Festival. I had many duties, and one of the more interesting was moving instruments. Mostly I moved percussion instruments, pianos, ...
Mahan Esfahani, Iranian-American harpsichordist; he is the first harpsichordist named as a BBC Radio 3 New Generation Artist. As a concerto soloist and recitalist, he has gained an international ...
The audience was small. The slight keyboard instrument painted green on the stage wasn’t imposing. Beyond the first few rows of Walt Disney Concert Hall Wednesday, the delicate sound it made was faint ...
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