An image of the Dalai Lama gives diasporic texture to an otherwise anonymous suburban American house; the camera tracks to ...

When I first discovered the works of Jean Rouch, Robert Gardner, and Timothy Asch—academic anthropologists who opted to make ...

High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...

Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of that giant cockroach creature feature was the filmmaker crossing paths ...

Remembering her filmmaker father Charles B. Pierce, Dallas designer Amanda Squitiero first mentions the place he called home. “Arkansas claims him and he claimed Arkansas,” she says, having recently ...

Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th Maryland Film Festival solidified its direction. Bouncing back from the low ...

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Guillame Marbeck and Rick Linklater on the set of Nouvelle Vague (photo: Jean Louis Fernandez, courtesy Netflix) Linklater: Yeah. We knew from their camera reports what lenses they had. We knew what ...

Todd Solondz’s indelible Happiness was released 25 years ago today. Filmmaker is reposting here its interview with Solondz, the cover story of our Fall 1998 issue. — Editor Winner of the Critic’s ...